LOOKOUT, LuckyMe & Dirty Gold present:
After an incredibly breakthrough 2009 that saw the massive critical and popular success of Hudson Mohawke, Rustie and Mike Slott with releases on Warp, All City and more, it seemed unlikely that Glaswegian label LuckyMe could top the level of excitement in the year to follow. However in the last year, they've expanded the label worldwide, adding several North American acts that have become some of the most talked about in the electronic music world, including Jacques Greene, Lunice, Ango, Machinedrum, and Cubic Zirconia. On February 11th, all of this monumental talent will be on display under Club Lambi's roof.
Friday, February the 11th
Club Lambi, 4465 St-Laurent
CUBIC ZIRCONIA (Live)
JAQUES GREENE (DJ)
Seriously, this band will destroy your club, your concernt hall, your living room. It's acid inflected pop music that hints towards a tradition of great new york loft parties and the vacious structure of punk bands like ESG and Liquid Liquid. But you know, Cubic's music is more than that. It's not trying to be anything else than Nick Hook, Tiombe Lockhart & Daud Sturdivant going in as hard as they can. I mean, what shall we call it? We have to call it something -- that's the way of music journalism. Let's go for ethnic disco.
New label mate Machinedrum will be present as well, riding off his stellar new releases on LuckyMe and on Hotflush as his new garage/future dubstep project Sepalcure. With a combination of the songwriting skills of Timbaland, the huge club sounds of Daft Punk and the crafty experimentation of Aphex Twin, Machinedrum will take us all on quite the musical ride.
Jacques Greene hails from Montreal, Canada, and you may or may not have heard some music he made under a previous guise. It doesn't really matter. His current focus is glistening house music with the perfect balance of reverence and idiosyncrasy, and an unashamed devotion to R'n'B. Releases with LuckyMe and NightSlugs have announced his arrival in the house music world in fine style, and hint at a pretty good year to come.
Lunice is just THAT dude. So cool, so easy. But at night he’s a monster making bedroom dance videos to Footcrab and Sex Intelligent (remix stoopid). It was just over a year ago that Lunice started bumping his own beats at the Turbo Crunk nights. To think that he’s since played two European tours and attended Red Bull in London, cheeeez, Dude is doing those big things already.
Joining Montreal's community of influential DJs and Producers, this R&B beat maker has just begun to do his part to help rebuild the landscape of alternative dance music in North America. Ango's music is uniquely melodic and hopeful, bringing boogie-era synth and drum sounds into context with contemporary R&B bangers, electro and bass music.
MIX FOR LUCKYME: http://luckymedia.s3.amazonaws.com/_MIXTAPES/81.mp3Read Less ↑
Cubic Zirconia's Nick Hook was kind enough to send over a mix full of jams that spell out why LuckyMe and Night Slugs were the labels that ruled 2010. The tape comes just in time for Cubic Zirconia's live performance alongside Jacques Greene, Lunice, Machinedrum, and Ango at the LuckyMe label showcase at Club Lambi Friday February 11th. Without further delay, the tracklist and mix is below:
mr. fingers- beyond the clouds
kim ann foxman- creatures
julio bashmore- battle for middle you
cassius- shark simple (l-vis and the neon dreams rmx ft shadz & cubic zirconia )
martyn and mike slott- all nights
jacques greene- (baby i don't know) what you want
kingdom feat tiombe lockhart- remember
panteros 666- x lova (cubic zirconia rmx)
lunice- fancy fortie (rustie rmx)
The pessimistic view of electronic music holds that it too often entails faceless pseudonyms crafting derivative, sterile “beats” with the assistance of prohibitively expensive software. Whether or not that ugly caricature holds completely true, there is certainly a kernel of truth in the repetitious nature of the legions of electronic music produced damn near everyday. And then there is the young, evasive, and unassuming Hudson Mohawke. Hudmo, as his fans refer reverently to him as, feeds his manic creativity through relatively simple software (Frootyloops) and somehow comes out with epic, densely layered, and glitch-ridden proclamations of pure digital joy. Butter, his debut album off the prestigious Warp Records shows a startling evolution in the fabric of Hudmo’s music. So startling, in fact, that any attempt to review the album is dependent on isolating the three stylistic identities connected by an interweaving eccentricity Hudmo seems to embrace at varying points in the album. From the top:
The Golden Child Disciple of J Dilla and Flying Lotus
Though his discography is rather thin, Hudmo’s status as the rising golden child of the UK Warp/LuckyMe/Wireblock community has long been established. He was Scottish DMC Champion and UK finalist at age fourteen, and the few EPs and compilations that have escaped his bedroom studio met with enormous critical acclaim. His Polyfolk Dance EP and his work with Mike Slott as Heralds of Change solidified his position as the heir apparent to Dilla’s legacy of chopped, distorted sample-based hip hop and Flying Lotus’ ongoing digital reconstruction of abstract hip hop production. At times listening to Butter, Hudmo seems to triumphantly achieve that “promised one” rhetoric, crafting furious, kinetic beats that tear forward through warped electronic melodies. Hudson bombards the tracks with layers of alternately polished and buzz saw synth lines, pushing them forward and gridding off their melodies with chopped vocal creations. Especially during the middle passage of “3.30,” “Trykk,” “Fruit Touch,” and “Zoooooom,” Hudmo seems to embrace and faithfully execute the dogma of turbo-charged glitch hop. At other times in the album, however, he seems bored by the limitations of the genre and transforms his vision into that of…
The R&B acid revisionist
At certain points throughout his career, Hudmo has expressed an infatuation with the potent pathos of contemporary R&B. His bootleg bass remix of Tweet’s jam “Ooops” is widely considered to be the song that directly preceded his signing to Warp. In interviews past, he has mentioned the looming possibility of joining Erykah Badu or Chris Brown in the studio someday soon. On Butter, his collaborations with vocalists Olivier Daysoul and Dam Funk stand in stark contrast to his other tracks; they operate under an entirely different aesthetic. Tracks like “Joy Fantastic,” “Tell Me What You Want From Me,” and the extraordinary break up song “I Just Decided” tweak the butter-smooth (no pun intended), nu-soul efforts of 80’s R&B classics like Belle Biv DeVoe by throwing their earnest hooks over enormously busy and glossy backing tracks. Hudmo’s effects work well enough with the flamboyance and vitality of his guest vocalists to give classic R&B a neon/day-glo facelift. Olivier Daysoul in particular comes off like Slick Rick’s New Jack twin in his star turns on “Joy Fantastic” and “I Just Decided.” The eclecticism of Hudmo’s surreal subjection of R&B to his own eccentric means is eclipsed only by his turns as…
The Triumphant Abstraction
Two of the tracks off Butter that attracted the greatest prerelease buzz were the massive cuts “Fuse” and “Rising 5,” neither of which fit neatly into the artistic modes of Hudmo described above. These two are the true gems of the album. Both songs seem to incorporate elements of live instrumentation jammed through powerful electronic filters in ways that amplify digitally yet preserve entirely their organic melody and vitality. They are too sprawling, too awe-inspiring to be considered hip hop; there is not an MC alive who could take on these massive constructions and make them his own. “Fuse” sounds as if some one took a triumphant yet tinny 8-bit synth line from an old Zelda game, remastered it a bajillion times and crafted a goddamn anthem out of it. Though Butter as an album is most likely stronger than the sum of its components, “Fuse” and “Rising 5” are its most exciting contributions. If these tracks are indicative of his newest assumed artistic identity, then we can expect exciting things in the future from Hudson Mohawke.
Though this cut isn't on the album Butter, it still ranks as one of Hudmo's most popular and innovative to date. Check out Hudson Mohawke's bass remix of Timbaland's beat for Tweet!Read Less ↑